The fourth in the series of interviews from fellow Tokyo Artbyte Critique group, who are participating in the Tokyo Artbook Fair presents Marie Wintzer.
Marie Wintzer is a French artist who also works in the field of neurosciences. She currently lives in Tokyo. Each of the books she will have available at the Tokyo Art Book Fair 2014 are unique, one-of-a-kind constructions.
What kind of art do you do?
My work is based on mail art exchanges and consists of collages and books using Jjapanese magazines, newspapers, comics, books gathered from second-hand stores, along with altered pictures / photography of my own, and poems.

That sounds pretty complicated. What is your process?
In my work process I aim to find aesthetics through matching, pairing, comparing, contrasting. Aesthetics can arise from unexpected, apparently chaotic or incoherent structures, and I am particularly interested in the subjective notion of beauty, in unveiling the harmony in items / settings / contexts that are not obviously seen as pleasantly ordered and arranged.
This work process naturally leads me to the study of repetitions of patterns and the breaking of those patterns (asymmetry) by chance or choice, of the unique combinations that can be created from a single unit through repetition and modification. In relation to this, I am fascinated by the endless possibilities offered by layers and transparencies.
How does poetry fit into the visual aspect of your work?
Poems take an increasing importance in the making of my books, and are a layer in their own right. Very often they are the starting point or the basis for the creation of a new book.
Is there a website where we can learn more about you and your work?
http://thebookwormslunch.blogspot.jp/
Reblogged this on Studio Deanna | Fiber & Metals and commented:
A look at my fellow Art Byte Critique member, Marie Wintzer’s, art book work which you can see in person at the Tokyo Art Book Fair, Sept 19 – 21.
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Thank you you two!!
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My pleasure. It was interesting to learn more about your work.
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Reblogged this on Arthur J Huang.
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