After sitting in a drawer for a year, I finally built the paper-pinhole camera I bought at The MoMA Design Store in Omotesando.
It’s pretty basic. The exposure “setting” written on the back of the camera is 2-3 seconds with ISO100 on a day suitable for the sunny 16 rule. But who has time for that? I threw in a roll of Fuji 1600 to deal with the cloudy days and to make the camera easier to shoot hand-held. I like the idea of tripods, I don’t like the weight. Plus you can toss a camera in your bag for the day, but a tripod requires planning.
I got my first roll of film back. It actually worked better than I expected. That bar was quite low actually. I thought the film would all be blank or light leak city. Here are the images unedited, except for the addition of lots of dust from my scanner. I only realised now how much it needs a cleaning.
When building the camera, I didn’t put in the frame part on the film. I don’t get a crisp, classic 35 mm frame. Instead I get a longer image with a lot of vignetting. Advancing the film is an art. It’s not a simple turn the knob twice as the instructions say. I ended up wasting a lot of film.
I didn’t really get any amazing images this go-round. I pretty much just took photos when I remembered the camera was in my bag. The camera works and I like it well enough that I might actually plan for a day of tripod carrying. I can see some potential for better photos with a more thoughtful approach to subject matter.