Tokyo Art Book Fair 2016: That’s a Wrap!

Another Tokyo Art Book Fair has come and gone. Really proud of my fellow Art Byte Critiquers for their hard work. Loved their books and it’s so much fun to work with them.

I’m still really interested in creating mame bon. Mame bon translates to bean books, so called because of their small size. My friend kindly described my books as objets, and I was really happy to hear that. I want people to treat them as objects that they can look at and fiddle with and enjoy. I had a few other ideas for books that I wasn’t able to complete for this fair but I’m quite happy with my books this year. Bumble is probably my favorite book. I really like bees and this photo collection of bumble bees and lavender is actually quite cute. My ultimate favorite is the zine MaiNichi Mushroom. Lots of people were interested in MaiNichi Mushroom and some copies were sold. Foxey did a great job to promote the magazine.

What I probably enjoy most is watching people interact with my books. Of course it’s great when they buy them, but I also enjoy watching people pick up the books, discuss them with friends and walk away with a smile. It’s especially flattering to have someone by a book at TABF because there are so many great books for people to choose from!

The last two years I usually did interviews before the fair to promote their work and the fair. This year we were all working up until the deadline and had no time. But I really want to share their work with you so look for artist interviews in the next few weeks.

Tomorrow I will post about a couple of the books I bought. It’s too dark now to take photos that would do the books justice.

If you went to TABF this year, please comment and let me know what you thought of the fair this year. If you have any questions about my books, don’t hesitate to ask!



Interview with Manga Artist, Angelo Levy

Angelo Levy at his booth at Tokyo Art Book Fair 2014.
Angelo Levy at his booth at Tokyo Art Book Fair 2014.

Angelo Levy is a Brazilian manga artist, part of the Wonderworld team. He also organizes the Tokyo Comic Artists meetup which is a great resource for anyone interested in Manga, particularly for foreigners due to the international make-up of the members. He kindly took some time to talk with me at the Tokyo Art Book Fair 2014.

Where are you from and what brought you to Japan.?
I have been in Japan for 8 years. I first came to Japan in 2000 as a high school exchange student. After majoring in Fine Arts and Animation in Brazil, I got a scholarship to do a masters in Animation in 2006 in Japan.

How did you transition from animation to manga?
I was interested in comics as a student and took comic drawing classes in Brazil. During university I was into animation but after I realized my biggest passion is comics. They seem more accessible. They have more room for imagination. The reader has to participate more actively. You can have your own pace as a reader.

You mentioned that this is your first time at TABF, what do you think?
Many people from the creative field are here, so the understanding of art is a bit better. At Comiket (a comic market held twice a year in Tokyo), people are looking for comics so something different is more of a surprise. Here people are not surprised by something different.

Can you describe your work?
I’m working with fairytales, adopting them to modern Tokyo. The visual is contemporary but the structure is the oldest you can research.

Cover of Akazukin Chan. A modern retelling of Little Red Riding Hood, set in Tokyo.
Cover of Akazukin Chan. A modern retelling of Little Red Riding Hood, set in Tokyo.

What are two things you want people to know about your work.
First, fairytales are not meant only for kids. As adults, it’s interesting to take a look at them again and think about what are the deeper messages. What is it that makes the story immortal? They work like symbols. Depending on how you look at it, you can learn different things.

Second is connected to using black and white in my manga. Today there’s a tendency to have realistic content but on the other hand, it’s entertainment that won’t stimulate your imagination. So by working with black and white, the reader has more room for imagination and therefore, more interaction with the work.


Thanks for your time! Do you have a website where we can see more of your work?

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