Reading Between the Lines–An Art-Book And Zines Exhibition at Launch Pad Gallery

In September, Art Byte Critique artists collaborated with artists from the UK for joint art book exhibitions in two countries. “Reading Between the Lines” at Launch Pad Gallery in Yokohama ran from September 21-October 1, 2018. “Turning the Page” was at Paper 2 gallery in Manchester from September 29-October November 3, 2018.

Joan Birket of St. Helens in the UK developed the connection to Tokyo-based Art Byte Critique to develop relationships and collaborations. The two groups have had previous collaborations in St. Helens, UK,  at Heart of Glass  and Eccleston Community Library for for World Book Day.

Arthur Huang, Art Byte Critique founder, wrote an excellent summary of “Reading Between the Lines”

We would like to thank everyone who came out over the last two weeks to see the exhibition, attend the reception party, listen to artist talks, participate in bookmaking workshops, talk with artists, and most importantly, spend quality time with all the artists’ books created by 20 artists.

It was deeply inspiring and satisfying to see people discovering the book arts for the first time, donning white gloves to pore over the works, finding inspiration in the workshops, and talking about the works and the process.

A big thank you to Fred and Ling from Launch Pad Gallery for giving us the opportunity to put this exhibition together. Their support and enthusiasm for this exhibition was priceless. Thank you to all the Art Byte Critique artists for amazing work and their collective effort in putting on a beautiful, fun, and engaging exhibition supplemented with artist talks and workshops!

Thank you to all the Northwest England artists for sharing their works with us and getting up early to have a great conversation about the book arts and creativity.

It has been an amazing two weeks and we look forward to future opportunities to share our love for book arts in the near future.

While “Reading Between The Lines” at Launch Pad Gallery closed at the beginning of October, Art Byte Critique and Northwest England Artists books were on display at PAPER 2 Gallery in Manchester for the “Turning the Page” artist book exhibition until November 3rd.

It’s been great to meet Fred and Ling at Launch Pad Gallery and to get to know the British artists and talk about books. I look forward to connecting and collaborating with them more often.

COMING SOON: Check this link to see images provided from the reception of Turning the Page at PAPER 2 Gallery

Find out more about the participating artists by clicking the links below:
Jane Barwood
Joan Birkett
Paul Cousins
Deanna Gabiga
Arthur Huang
Patty Hudak
Mariko Jesse
Yuko Kamei
A.J. Malone
Jeni McConnell
Carol Miller
Julia Nascimento
Lyle Nisenholz
Mia O
Lori Ono
Jacqui Priestley
Louise Rouse
Yvonne Tinsley
Claire Weetman
Nick West

Tokyo Art Book Fair 2015: Q & A with Marc Tibbs

Name: Marc Tibbs
From: San Diego, California
Time in Japan: 3 years
Education: Bachelor of Fine Arts

marc-tibbs-3-by-thirteen-booksHow long have you been making books?
I took a book binding course my senior year college in 2011 and have been making book ever since.

What is the biggest challenge for you when you make a book?
The hardest part of making a book for me is sticking to the original theme and making a cohesive story.

What kind of books are you making for this fair?
The books I made for this year’s fair is the product of 39 days of drawing and writing.

Time and Location Details
The Tokyo Art Book Fair is held from September Saturday 19 – Monday 21 (holiday)
at Kyoto University of Art and Design, Tohoku University of Art and Design GAIEN CAMPUS
Marc and Art Byte Critique Members are on the 2nd floor booth G-11
1-7-15 Kita-Aoyama, Minato-ku, Tokyo, Japan
HOURS:
Saturday: 3-9
Sunday: 12-8
Monday: 11-7

Tokyo Art Book Fair 2015: Q and A with Karin Gunnarsson

The Tokyo Art Book Fair is nine days away. This is the second in a series of interviews with fellow Art Byte Critique members to introduce their work and talk about the show.

Name: Karin Gunnarsson (Nomura)
From: Sweden
Time in Japan: 16 months
Education: MA Photography Royal College of Art London
Occupation: Artist and Japanese Language Student

How long have you been making books?

This is the first artist book that I am showing in public. As for developing the craft I have in the past made hardcover notebooks.

What is your favorite kind of books to make?
I get a great sense of achievement in making a hardcover handbound book.

Plato's Plates by Karin Gunnarsson
Plato’s Plates by Karin Gunnarsson

Do you have favorite materials to use?
I like a book that is interesting and feel exclusive to the touch. The Plato’s Plates book is all in paper with subtle tactile variety, as this was the most suitable option for the project. But I am really fond of using a textile on the cover and a contrasting paper texture and colour for the cover pages inside.

What is the biggest challenge for you when you make a book?
Not rushing

What kind of books are you making for this fair?
I am making one hardcover handbound book in a limited signed and numbered edition and one saddlestitched simpler version of the same book. The book is called Plato’s Plates and  tells a story of transformation and transcendence through a character in a punctured paper suit.

Image from Plato's Plates by Karin Gunnarsson
Image from Plato’s Plates by Karin Gunnarsson

Do you have any advice for people coming to the book fair?
Based on my experience as a visitor last year; allow plenty of time for your visit, comfortable shoes, a strategic plan to navigate the fair and take plenty of breaks as it is quite overwhelming to see so many beautiful and inspiring books. And of course plenty of change and that extra note for that very special object of desire.

Links
https://www.facebook.com/gunakau
www.karingunnarsson.com

Time and Location Details
The Tokyo Art Book Fair is held from September Saturday 19 – Monday 21 (holiday)
at Kyoto University of Art and Design, Tohoku University of Art and Design GAIEN CAMPUS
1-7-15 Kita-Aoyama, Minato-ku, Tokyo, Japan
HOURS:
Saturday: 3-9
Sunday: 12-8
Monday: 11-7

You can read about Art Byte Critique artist Lyle Nisenholz here.

Tokyo Art Book Fair 2015: Q and A with Lyle Nisenholz

The Tokyo Art Book Fair is two weeks away. This is the first post of interviews with fellow Art Byte Critique members to introduce their work and talk about the show.

lyle-nisenholzARTIST: Lyle Nisenholz
アーテイスト:ライル ニセンホルツ

From: United States
In Japan: 12 years
私はアメリカ人だけど東京に12年間住んでま.

 Occupation:
I work for Tokyo City Learning Disabilities Special Schools as English Teacher
東京の特別学の英語先生

bonobobook71How long have you been making books?
From 2007
2007年から

What is your favorite kind of books to make?
The books I am making recently, minibook.
現在ミニブークの作ること一番好き

Do you have favorite materials to use?
I always like using pen and pencils on paper
紙とペンと鉛筆を好きの材料

What is the biggest challenge for you when you make a book?
Patience
がまん

What kind of books are you making for this fair?
I’m making miniature replicas of books I make from A4 size paper.  I also cut the same holes in that can be seen in the original book.
ミニブークはもとのほんのそっくり小さい復刻, それも同じ穴をあける。

Please visit my only website tokyobonobo.wordpress.com  私のウエブサイト調べてください

bonobobook75What did you learn from last book fair? What are you doing differently for this book fair?
Its best to make the the book easy so its easy to present and buy.
安くて作っているの本はいいです. それで今年の本は買って安い.

Do you have any advice for people coming to the book fair?

Its best to make a simple presentation
シンプルのプレゼンテーションのほうがいい.

The Tokyo Art Book Fair is held from September Saturday 19 – Monday 21 (holiday)
at Kyoto University of Art and Design, Tohoku University of Art and Design GAIEN CAMPUS
1-7-15 Kita-Aoyama, Minato-ku, Tokyo, Japan

You can read about fellow artist Karin Gunnarsson here.

The Days After the Art Book (af)Fair. Tokyo Art Book Fair 2014 Review

The 2014 Tokyo Art Book Fair (TABF) has come and gone. It took a lot of work to get ready for it, and it was an intense three days but I enjoyed all of it. Now I just have to sort through the leftovers in n my studio from my book making frenzy.

20140925-000242-162096.jpgA big thank you to every one who visited the Art Byte Critique Group table (H-05), we enjoyed talking to everyone who stopped by. Special thanks to those who purchased some of our work. We ‘re thrilled because we know that there were so many wonderful choices available to you.

To the other TABF contributers and Zinesmate staff, thanks for the community feeling and your hard work. I thought everything ran really smoothly and every contributer ‘s work looked amazing. It was fun to be counted amongst you.

Finally, Art Byte Critique Group, thanks for making the process so efficient and fun. I’m lucky to be a part of this group. It’s inspiring to see what members are up to and the feedback you give on my own work is invaluable.

20140925-000243-163101.jpgWhat Would I Do Differently?
Put prices on things immediately and have cuter price tags. I didn’t want to be pushy by having prices, but I soon realized when I was browsing myself that a price was one of the first things I looked for.

Put a muslin sheet over our work after the day is done. One fellow artist had several books go missing.  And while that could have happened while we were at the booth and the cloth doesn’t lock anything down, I think covering the table gives that sales-are-done-for-the-day feeling and one layer against temptation. I think people at the Book Fair are generally pretty honest.

Have a display rack for photos. It would be great if I could find a small v-shaped poster holder. The photos on the back wall were hard to access and I didn’t have a lot of stock. I’d like people to be able to look more closely at them.

Longer lead time on production. I had my proto-types for the application, but didn’t start producing in earnest until I learned we got accepted and got a table. But not knowing for sure if you get a spot and spending money on production just in case seems like a bad idea.

What Would I Do the Same?
The whole experience! It was great.

Work with Art Byte Critique. I think it is great to share a table with people. I could easily see being overwhelmed and a bit lonely if I were to do this alone.

More Estello! I got a lot  of great feedback on this project. I was a bit hesitant about how Estello would be received  so I made some very simple zines and some A4 posters. While the zines looked good and suited the casual style of Estello, I think I could get something a little better quality with a lower price point if I have a longer production time and spend a bit more.

Talk to people! I got a chance to interview some people at the book fair and to make some contacts. I also got to watch how people perceived my work. So this makes it a bit more useful as a testing ground for new ideas.

Trends
Fellow blogger, Universo Tokyo, asked me if I noticed any trends in the types of  work available this year. This is a tough question. I only attended for a short hour at the end last year, so many things may have already sold.  Like last year, there was a huge variety in the offerings, from high-level professionally done photography coffee table books, to stapled editions of zines. I feel like there were more zines and more hand-made books.

I think another trend was looking instead of buying. I have no idea how this compares to last year. I saw lots of people buying supplies, but proportionally less people buying books and maybe looking around for ideas. Goodness knows there was so much creativity in the building that the urge to start making something really built up.

If you attended, what was your impression of the Art Book Fair? Did you notice any trends?

I did buy a few books…

Tokyo Artbook Fair: Interview with Marie Wintzer

The fourth in the series of interviews from fellow Tokyo Artbyte Critique group, who are participating in the Tokyo Artbook Fair presents Marie Wintzer.

Marie Wintzer is a French artist who also works in the field of neurosciences. She currently lives in Tokyo. Each of the books she will have available at the Tokyo Art Book Fair 2014 are unique, one-of-a-kind constructions.

What kind of art do you do?
My work is based on mail art exchanges and consists of collages and books using Jjapanese magazines, newspapers, comics, books gathered from second-hand stores, along with altered pictures / photography of my own, and poems.

Book photo courtesy of Marie Wintzer
Book photo courtesy of Marie Wintzer

That sounds pretty complicated. What is your process?
In my work process I aim to find aesthetics through matching, pairing, comparing, contrasting. Aesthetics can arise from unexpected, apparently chaotic or incoherent structures, and I am particularly interested in the subjective notion of beauty, in unveiling the harmony in items / settings / contexts that are not obviously seen as pleasantly ordered and arranged.

This work process naturally leads me to the study of repetitions of patterns and the breaking of those patterns (asymmetry) by chance or choice, of the unique combinations that can be created from a single unit through repetition and modification. In relation to this, I am fascinated by the endless possibilities offered by layers and transparencies.

How does poetry fit into the visual aspect of your work?
Poems take an increasing importance in the making of my books, and are a layer in their own right. Very often they are the starting point or the basis for the creation of a new book.

Is there a website where we can learn more about you and your work?
http://thebookwormslunch.blogspot.jp/

Tokyo Artbook Fair 2014: Interview with Lyle Nisenholz

The Zinesmate Tokyo Art Book Fair starts September 19th and I’m interviewing fellow Art Byte Critique artists about their work. The third in the series of eight interviews presents Lyle Nisenholz.

IMG_1079Lyle Nisenholz is an American artist, focusing on painting and illustration. Lyle will be presenting unique one of a kind hand-painted and hand-drawn books as well as multiple, smaller copies of his work. Strategically placed holes unite the pages of Lyle’s work, creating interaction with the surface pages and the pages below.

Tell us a bit about yourself.
I’m from the United States, mostly California.  I lived in Japan for 11 years.  I’m a high school sketch book doodler and wanted to draw like Heavy Metal Magazine and Dungeons and Dragons. However somehow I earned a fine art degree from college.  Mostly I sketch and draw images on paper, it’s like a diary of my feelings and ideas.

私はアメリカ人です。カリフォルニアの出身です。日本に11年間住んでます。13歳から宿題の紙にいたずら書きを書いた。イラストレータになりたかったです。大学で芸術を勉強しました。大抵、私はスケッチブックに絵を描きます。それは、私の気持ちや考えの日記のようです。

 Can you describe (briefly) the process of making your book?
I make a book by using a sketchbook or separate pages casually.
As a new drawing develops, I create a hole in the image.
The hole makes a window for the image on the next page.
This window is the starting point for my next page image.
Again using the next page image, I will make a hole and continue as before.

最初
本をつくるように
絵を描くのんびり
そしてあなをあける
このあなはまどです
つぎのページにはまどが見えます
これをもとにして
新しい絵描きます 

Hand-painted book detail courtesy of Lyle Nisenholz.
Hand-painted book detail courtesy of Lyle Nisenholz.

Which is your favourite material/medium to work with?
I love pens and pencils most. They are clean and easy!

I have been doodling in sketchbooks since I was thirteen years old. I see most of my ideas in sketchbooks so I just make them into art

一番好きな物鉛筆とペン

つかいやすくてきれいな材料!!
13歳からスケッチブックで描いています.
私のスケッチブックにはたくさんアイディアがつまっています.
これは本物の作品になります.

Is there a website where we can learn more about you and your work?
http://www.lylefile.com/

Tokyo Art Book Fair 2014: Interview with Studio Deanna

The Zinesmate Tokyo Art Book Fair starts September 19th and I’m interviewing fellow Art Byte Critique artists about their work. The second in the series of eight interviews presents Deanna Koubou of Studio Deanna. Deanna is a fiber and metal artist from the United States.

Where are you from and how long have you been in Japan?
I am an emerging American artist who has lived in Japan for about 10 years. I have visited 49 of the 50 states and lived in 11, most recently California.

Detail of Navigation and Migration series.
Detail of Navigation and Migration series.

How long have you been making books?
About a year. I’ve been stitching and sewing since I was a child so jumping into hand-stitched art books has been a very comfortable new art form for me.

How did you come to join ABC (Art Byte Critique)
As a group we’ve been meeting for almost a year to prepare for the Tokyo Art Book Fair.

How have these meetings helped you get ready?
The Art Byte Critique has been an amazing group of international and Japanese artists whose feedback on my work has pushed me to create the best designs possible. My favorite part about the group is how divergent we are in the mediums we use but still work strongly towards such similar goals of moving our own artwork forward.

What kind of book/s will you have at the Tokyo Art Book Fair?
I created two kinds of books, travel journals and mamebons (bean books).

Travel journals, photo courtesy of Studio Deanna.
Travel journals, photo courtesy of Studio Deanna.

Each one of my Travel Journals is a one-of-a kind handmade art book. Using a consistent cover design of rugged upholstery I have been able load each one with a variety of map pages from various countries throughout the northern hemisphere.

Inspired by the locations on the maps, I created a Migration/Navigation Series of hand-embroidered mamebons (bean books). I embroidered one with a16th Century sailing ship and another with a sea turtle. Both of which represent Navigation and Migration on our planet.

Detail of Migration and Navigation series.
Detail of Navigation and Migration series.

What kind of materials do you use?
Tough upholstery fabric, modern aviation maps, wax threads, embroidery threads, buttons, and crocheted lace threads.

What are two points you want people to know about your books?
I hope people will explore new places with these books. You can add your own sketches and memories into the Travel Journals or enjoy the hand-embroidered art books.

Do you have a website where we can learn more about you and your work?
My website is www.studiodeanna.com.

Tokyo Art Book Fair 2014: Interview with Arthur Huang

The Zinesmate Tokyo Art Book Fair starts next week and I’m participating with the Art Byte Critique Group. Art Byte Critique is a diverse group of artists based in Tokyo. I’m really excited about the event and really proud to be part of the group. They were generous enough to spare some time from their preparation to do an interview with me. Over the next two weeks, I’ll be posting their interviews on The Spendy Pencil.

The first interview is with Arthur Huang, founder of Art Byte Critique Group.

Tell us about your background.
I moved to Tokyo from the San Francisco Bay Area in 2009. I work at the RIKEN Brain Science Institute as a researcher in a laboratory studying the mechanisms of learning and memory in mice. At the same time, I maintain a studio practice working as a visual artist interested in memory and the everyday.

How long have you been making books?
I made my first artist book back in graduate school in 2001 incorporating bookbinding and screenprinting. Since then, I have always had an interest in making artist books, but I have not had the structure and motivation to focus on this craft. I began to explore this medium again in late 2013 in conjunction with the Art Byte Critique group, which I helped to start, with other Tokyo-based contemporary artists.

Can you tell us more about ABC?
The Art Byte Critique group was started to create an environment where artists could gather on a regular basis to share ideas and give feedback to each other’s work in progress.

How has Art Byte Critique helped you get ready for the Tokyo Art Book Fair?
We have had regular meetings over that last year to gather knowledge, inspiration, and feedback about our work in creating artist books. They have provided structure and motivation for me as we get ready for the Tokyo Art Book Fair in less than two weeks.

What kind of work will you have at the okyo Art Book Fair?
For the Tokyo Art Book Fair, I will be exhibiting a series of accordion books that I created in 2011 titled “One Year on Japanese Public Transportation” which is composed of twelve books. Each book represents one month of travels on Japanese, primarily Tokyo, public transportation. I have drawn lines which represent each train or subway ride that I took in that month. The lines are the actual route of the train or subway ride taken from a map of Tokyo. Each ride is connected to the next ride chronologically (time and day) and run back and forth through the length of the entire book. Each book uses slightly different marks to represent departure and arrival points.

In addition to “One Year of Japanese Public Transportation”, I am in the process of creating several new series of artist books based on my “Memory Walks” project and “Interstices” project. I plan to assemble the books for the these projects by hand, printing the images on paper or acetate, cutting and binding the pages by hand.

Photo courtesy of Arthur Huang
Photo courtesy of Arthur Huang

For the “Memory Walks” artist books, I am planning to create photo books composed of close-up photographs of my Memory Walk eggshells. Each edition of the “Memory Walks” artist books will consist of a single walk that I take on a regular basis, such as my walk from my home to the train station or the train station to work. The cover for each book in each edition will consist of a previously drawn “Memory Walk” crushed eggshell for that particular walk.

隙間 070614 #3 – 下北沢, Courtesy of Arthur Huang
隙間 070614 #3 – 下北沢, Courtesy of Arthur Huang

For the “Interstices” project, I am planning to create a series of accordion books in which individual photographs of alleyways in Tokyo are printed on acetate and then mounted into the pages of the accordion book. Taken individually, the reader can see the characteristics of each alleyway. When the book is folded, the different photographs will be overlaid to create a composite image of all the alleyways similar to the digitally created “Interstices” photographic series that I have been creating since 2012.

Is there a website where we can learn more about you and your work?
You can learn more about my progress towards the Tokyo Art Book Fair 2014 at my blog – arthurjhuang.wordpress.com. This blog also has more details and images about my “Memory Walks” and “Interstices” project. Please come to the Art Byte Critique booth between September 19th and 21st and say hello!

Estello and Tokyo Spidering Exhibition Update

Today was the first of my two character design workshops. Big thanks to Deanna and Michelle who braved the rain and came to the workshop! Next one os next Sunday, October 27 from 1-3

Here are some shots of today’s work.

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