New Jewelry 2015 at 3331 Arts Chiyoda Review

The New Jewelry show at 3331 Arts Chiyoda (Dec 5-7, 2015) showcased some Japanese jewelry makers taking traditional materials and techniques into modern directions.

newjewelry.JPGJewelry is the ultimate meeting of design, craftsmanship and function. The New Jewelry show at 3331 Arts Chiyoda (Dec 4-6, 2015) showcased some Japanese jewelry makers taking traditional materials and techniques into modern directions. It was particularly interesting to talk with some of the artists and learn about their themes or inspirations. There wasn’t enough to talk with everyone but below are some very brief artist chats organized into material themes.

Pearls
Thanks to Mikimoto, pearls are strongly associated with jewelry in Japan. Mikimoto has a variety of styles, from traditional to modern, but the usage of pearls at New Jewelry had an energy I don’t see in Mikimoto.

aya-hasegawa-karot-newjewelryAya Hasegawa of Korat is a Nagano based artist doing interesting designs with pearls. She carves a design in a pearl then adds urushi (laquer)to it. I asked her where she got the idea to do this with a pearl and she said it just came to her. She noted that the process can be nerve-wracking because a mistake means that the pearl is wasted. The work is whimisical and finely detailed.

muresi-newjewelry2015-pearl
Muresi is the work of Yuji Ishigami of Yamanashi. Ishigami works in metal and created the coral and pearl pins. He does fine metal work yet decided to use unpolished coral. The rougher coral is a nice counterpoint to the fine metal.

Another artist at the Muresi table (I didn’t get her name) didn’t use pearls but uses photographs to make jewelry.

The idea behind using photographs is to play with memory. One style is to take parts of photos printed on a semi-transparent material and to put in metal shapes to make earrings, pendants and brooches. The effect is like a abstract watercolor until closer examination reveals the actual image. The project uses found photos to make a brooch. The brooch fits into the rest of the original photo for storage and display. The two have been working together for two years.

Dan Tomimatsu (left photo) puts unaltered pearls in cages to present and preserve the pearls. Kenichi Kondo (right) does enamel work and uses pearls for accents.

Cosmos Nostalgie by Natsuko Okano is also Tokyo-based. Much of her work is inspired by astronomy and science and the use of unusual minerals. She has been working in this style for two and a half years. One series has minerals in a rectangular cage. Her inspiration for this design is a science museum display cabinet. Okano has been working in this style for several years.

Glasswork
Glass was the medium of several designers. Whether it was geometric and hard-looking or formed into organic shapes, glass proved more versatile than simply mimicking gems making as beads.

Sorte means good fortune in Italian. She works in her glass studio in Hyogo with her husband. She designs the jewelry but they both have a hand in making the pieces. Mr. Sekino has been working with glass for 20 years. Sekino has been working with glass for 10 years. She started in university. She has been doing Sorte for the last three years. Her jewelry is various types of glass from organic to geometric with gold accents. When asked about the theme of her work she said that glass has lots of different expressions and she wants to demonstrate them in her jewelry.

Moko Kobayashi has a more traditional approach with glass, in that the work is made from French vintage glass beads about eighty years old. Watching the demonstration of making a brooch piques an interest in the finished product. The image outline is sewn onto fabric then the beads are sewn on. The motifs ranged from elegant to playful. I really loved the UFO with the little alien dangling from it. I also love the combination of glass and stitching required for this type of accessory.

Ceramics
This is not really a medium I associate with jewelry or accessories.When I do think of ceramics, I usually think of Wedgewood or something hippy-dippy. I know that ceramics are a wide-versatile material but I was surprised at the elegant offerings here.


Kimiko Suzuki uses ceramics to make her jewelry. At first glance the delicate lace work looks like it has been stitched, or 3-D printed but it is made with a ceramic paste with the consistency of whipped cream. The lace work is created much in the same way as decorating with icing. The result is a unique and delicate look. She has working with this style of production for four years. She likes lace of the symbolism of various motifs. Suzuki also uses ceramics to make molds and figures for her jewelry.

plant-plant-newjewelry
Plant-Plant
Plant-Plant offered coated metal jewelry and items made of porcelain. The poppy petals are particularly beautiful.

Sewing, Embroidery, Fiber Arts
Though I would include Moko Kobayashi in a sewing category, these artist use more recognizable stitching techniques.

monmannequin-kato-tomoka-newjewelry
Tomoka Kato at New Jewelry
Kobe artist Tomoka Kato is the creator of Monmannequin. She had the most playful take own jewelry and accessories like brooches, earrings andnecklaces. She has hand stitched small items five centimeters or smaller entirely of fabric and stitched by hand. She has been doing 3-D fabric for a while, starting with creating dolls. The majority of this work was created for another exhibition with a supermarket theme.

Some other fiber artists at the show to check out are
Akiko Ishiwata;  lace and tatting with fiber instead of ceramic by Filigne and Etsushi who embroiders broaches in a simple, bold graphics self-described as a “primitive” style.

Resin and Washi (and pearls again)
Few materials say “Japan” more than washi. But the idea of paper jewelry sounds very fragile and short-lived. Based in Tokyo, Lisa Nagano of Lissita designs feminine accessories with washi. She maintains the delicacy of washi but adds durability by mixing it with resin. This combination becomes delicate floral motifs in lovely pinks and purples. The flowers look like real petals! And the pearls make an appearance here as well, as flower detail and earring backs. She also had older work on display, (a collaboration with a sumie painter?), done with bold black, gold and resin. It is also striking, though very different from her current work. She’s been working with resin for ten years, and using washi for about two.
IMG_3576

*****

The show is over but the website is still up and has links to all the exhibitors’ pages. They are worth checking out for more photos of the work, explanations of their themes and inspirations and, in some cases, where to buy their work.

http://www.newjewelry.jp/nj2015/exhibitors/

Hand-stitched Piggy Charm

Walking around in Jiyugaoka in December I came across a branch of Hobbyra Hobbyre. This store sells higher end yarns, fabrics (Liberty Cotton mainly) for quilting, sashiko (a Japanese embroidery style) supplies and some small toys. I looked in the window, saw yarn suddenly I needed to increase my stash. I was browsing wool, then my husband found this piggy charm.

I couldn’t resist. To buy pre-made  cost 9000 yen. To get the kit and make your own was around 1500 yen and came with needles. The pig was super cute and it was interested in getting a kit to learn a new technique and maybe design my own stuff later.

The hardest part was the yellow diamonds on the purse. To get those lines with nice even stitching required heavy use of  a stitch ripper. I also had a hat, but it made the piggy charm look way to elderly. But I’ve got the little chain on it to attach to things and it is ready to go out into the wide world—or a jungle.

Piggy Charm in the jungle
Piggy Charm in the jungle

 

Tokyo Art Book Fair 2014: Interview with Studio Deanna

The Zinesmate Tokyo Art Book Fair starts September 19th and I’m interviewing fellow Art Byte Critique artists about their work. The second in the series of eight interviews presents Deanna Koubou of Studio Deanna. Deanna is a fiber and metal artist from the United States.

Where are you from and how long have you been in Japan?
I am an emerging American artist who has lived in Japan for about 10 years. I have visited 49 of the 50 states and lived in 11, most recently California.

Detail of Navigation and Migration series.
Detail of Navigation and Migration series.

How long have you been making books?
About a year. I’ve been stitching and sewing since I was a child so jumping into hand-stitched art books has been a very comfortable new art form for me.

How did you come to join ABC (Art Byte Critique)
As a group we’ve been meeting for almost a year to prepare for the Tokyo Art Book Fair.

How have these meetings helped you get ready?
The Art Byte Critique has been an amazing group of international and Japanese artists whose feedback on my work has pushed me to create the best designs possible. My favorite part about the group is how divergent we are in the mediums we use but still work strongly towards such similar goals of moving our own artwork forward.

What kind of book/s will you have at the Tokyo Art Book Fair?
I created two kinds of books, travel journals and mamebons (bean books).

Travel journals, photo courtesy of Studio Deanna.
Travel journals, photo courtesy of Studio Deanna.

Each one of my Travel Journals is a one-of-a kind handmade art book. Using a consistent cover design of rugged upholstery I have been able load each one with a variety of map pages from various countries throughout the northern hemisphere.

Inspired by the locations on the maps, I created a Migration/Navigation Series of hand-embroidered mamebons (bean books). I embroidered one with a16th Century sailing ship and another with a sea turtle. Both of which represent Navigation and Migration on our planet.

Detail of Migration and Navigation series.
Detail of Navigation and Migration series.

What kind of materials do you use?
Tough upholstery fabric, modern aviation maps, wax threads, embroidery threads, buttons, and crocheted lace threads.

What are two points you want people to know about your books?
I hope people will explore new places with these books. You can add your own sketches and memories into the Travel Journals or enjoy the hand-embroidered art books.

Do you have a website where we can learn more about you and your work?
My website is www.studiodeanna.com.

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